The struggle of a lady's garment workers' organization to unionize a New York clothing sweat shop; the owner of which is determined to keep the union out of his business at any cost.The struggle of a lady's garment workers' organization to unionize a New York clothing sweat shop; the owner of which is determined to keep the union out of his business at any cost.The struggle of a lady's garment workers' organization to unionize a New York clothing sweat shop; the owner of which is determined to keep the union out of his business at any cost.
- Joanne
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- Worker
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- Bit Model
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Storyline
Did you know
- TriviaA good depiction of a "sweat shop" that used the "piece work" method of pay. An employee was paid a very low hourly wage in the "piece work" system that paid by the unit. If the worker made enough "pieces" at a certain rate, they would be paid the higher of the two: the hourly rate or the rate based on the number of pieces they produced. They system encouraged employees to work fast and to not take breaks. The "piece work" system was common across the manufacturing industry until unions put an end to it.
- GoofsAbout half way through, when the truck drives forward into the alley past the union 'picketers' towards the elevator. After they kill Tulio the truck is inexplicably turned-around (without room in the alley to turn around) and drives forward out of the alley the same way it came in.
- Quotes
Lee Hackett: [commenting, in a Long Island Lock-jaw accent, on clothes modeled in a fashion show] Do notice the movement in the back. It really talks. Backtalk is terribly important this season.
Buyer: Do you think that back will talk?
Lee Hackett: Even in Scranton.
- ConnectionsReferenced in The Exiles (1961)
- SoundtracksO Sacred Head, Now Wounded
Written by Hans L. Hassler (d. 1612)
Performed on the organ at the second funeral
Cobb plays Walter Mitchell, who owns a fashion house, Roxton Fashions, that sells to the trade in New York's garment district. Thanks to a partnership with mobster Artie Ravidge (Boone), he has managed to keep the union, ILGWU, out of his shop. The union has been gaining ground in the industry. One union worker, Tulio Renata (Loggia) is determined to unionize the sweat shop.
When Walter's partner wants to unionize, he is murdered, and though it's made to look like an accident, no one is fooled.
When Alan (Mathews), Walter's son, returns to New York after being away for several years, he's shocked by what is going on and that his father seems to be condoning violence to keep the union out.
Some of this is quite good showing the problems that the union had breaking into the garment industry, as well as the brutality some of the unionists faced.
Viewed today, some of the film is over the top. I found Loggia and Gia Scala, as a passionate Italian couple, too exaggerated. In fact, theirs and Cobb's performances were too theatrical. Compared to them, in fact, Kerwin Mathews seemed bland until the end of the movie. Mathews found success in costumers later on.
Boone and the actor playing his enforcer, Wesley Addy, gave restrained performances, playing against gangster personalities. The beautiful Valerie French had a smaller role as Cobb's girlfriend, a major buyer.
One thing that was a little out there was a funeral scene - footage from something else was used - maybe Valentino's funeral? It didn't seem plausible for the character who passed away.
All in all, a good film, though it doesn't stand up against a film like Waterfront.
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Details
- Release date
- Country of origin
- Language
- Also known as
- Garment Center
- Filming locations
- Manhattan Center - 311 West 34th Street, Manhattan, New York City, New York, USA(exterior shots of the funeral)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $1,050,000 (estimated)
- Runtime1 hour 28 minutes
- Color
- Aspect ratio
- 1.85 : 1