IMDb RATING
7.4/10
71K
YOUR RATING
An American doctor and his wife, a former singing star, witness a murder while vacationing in Morocco, and are drawn into a twisting plot of international intrigue when their young son is ki... Read allAn American doctor and his wife, a former singing star, witness a murder while vacationing in Morocco, and are drawn into a twisting plot of international intrigue when their young son is kidnapped.An American doctor and his wife, a former singing star, witness a murder while vacationing in Morocco, and are drawn into a twisting plot of international intrigue when their young son is kidnapped.
- Won 1 Oscar
- 3 wins & 4 nominations total
Storyline
Did you know
- TriviaThroughout the filming, Doris Day became increasingly concerned that Sir Alfred Hitchcock paid more attention to camera set-ups, lighting, and technical matters than he did to her performance. Convinced that he was displeased with her work, she finally confronted him. His reply was, "My dear Miss Day, if you weren't giving me what I wanted, then I would have to direct you!"
- GoofsWhen Hank is being taken by his kidnappers from the chapel to the embassy, the group gets in a left-hand drive large 1953 Humber Mark IV Super Snipe on a Hollywood sound stage. The pretend driver enters on the right, but the supposed front seat passenger can be seen releasing the handbrake, and holding the steering wheel. The car's exhaust sound also does not match the Humber. In the second scene later, the same car enters the embassy rear gate, also on a Hollywood sound stage, and the car can be seen as having red seats. In the next cut, the car pulls up at the rear of the embassy, and Hank and the kidnappers exit. The car has now become a smaller and earlier 1951 Humber Mark IV Hawk, with tan seats, filmed on location in London, although both cars show the same registration number.
- Quotes
[last lines]
Dr. Ben McKenna: Sorry we were gone so long, but we had to pick up Hank!
- Crazy creditsOpening credits prologue: A single crash of Cymbals and how it rocked the lives of an American family.
- Alternate versionsThe original film opened with the Paramount logo followed by their patented wide-screen process, Vista Vision. In the 1980s, Universal reissued the film with their logo, and dropped the reference to Vista Vision. The Blu-Ray edition retains the Paramount/Vista Vision logos at the start, but carries the '80s Universal logo at the end.
- ConnectionsEdited into Histoire(s) du cinéma: Le contrôle de l'univers (1999)
- SoundtracksStorm Cloud Cantata
(1934)
by Arthur Benjamin and D.B. Wyndham-Lewis
Performed by London Symphony Orchestra
Conducted by Bernard Herrmann
Orchestrated by Bernard Herrmann (uncredited)
Covent Garden Chorus and Barbara Howitt, soloist
Featured review
I'm not sure why I didn't have a more enthusiastic reaction to The Man Who Knew Too Much. Hitchcock is the director that got me interested in classic cinema, and Rear Window, Notorious, Psycho, The Birds, Rebecca, and The Lady Vanishes are all among my favorite movies. It's a globe-trotting adventure with all the tension, intrigue, assassinations, conspiracies, and suspense you could want, but there's something about it that just didn't really catch my interest until the last 30 minutes, or so. The ending is great, but the rest of the movie was just missing something, in my opinion.
The problem certainly wasn't with the two lead actors. James Stewart gave another great performance under Hitchcock's eye (he was my favorite Hitchcock leading man), and Doris Day was charmingly determined and convincing as a confused wife and mother, desperately searching for her son.
The Man Who Knew Too Much certainly isn't a bad movie (is there such a thing as a bad Hitchcock movie?), and I expect that other people might have a more favorable response to it than I did. I suspect this is just one of those times when a good film just doesn't completely "click", with me, for whatever reason. I recommend it to anyone who is interested, though.
The problem certainly wasn't with the two lead actors. James Stewart gave another great performance under Hitchcock's eye (he was my favorite Hitchcock leading man), and Doris Day was charmingly determined and convincing as a confused wife and mother, desperately searching for her son.
The Man Who Knew Too Much certainly isn't a bad movie (is there such a thing as a bad Hitchcock movie?), and I expect that other people might have a more favorable response to it than I did. I suspect this is just one of those times when a good film just doesn't completely "click", with me, for whatever reason. I recommend it to anyone who is interested, though.
- lewiskendell
- Mar 27, 2011
- Permalink
Details
- Release date
- Country of origin
- Official site
- Languages
- Also known as
- The Man Who Knew Too Much
- Filming locations
- St Saviour's Church Hall, St Saviour's Church, Lambert Road, Brixton, London, Greater London, England, UK(Ambrose Chapel, demolished)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $2,500,000 (estimated)
- Gross worldwide
- $10,190
- Runtime2 hours
- Sound mix
- Aspect ratio
- 1.85 : 1
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