Recently widowed Sandra Demarest arrives at the isolated home of her late husband for his wake, but his uncle will not allow her to view the corpse.Recently widowed Sandra Demarest arrives at the isolated home of her late husband for his wake, but his uncle will not allow her to view the corpse.Recently widowed Sandra Demarest arrives at the isolated home of her late husband for his wake, but his uncle will not allow her to view the corpse.
Patricia Barry
- Angela
- (as Patricia White)
John Elliott
- Clergyman
- (voice)
- (uncredited)
Lisa Golm
- Mrs. Laidell
- (uncredited)
Creighton Hale
- Dr. Reynolds
- (uncredited)
Jack Mower
- Watkins
- (uncredited)
Paul Panzer
- Gatekeeper
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe final of three film collaborations between director Peter Godfrey and Barbara Stanwyck; the others are Mùa Giáng Sinh ở Connecticut (1945) and The Two Mrs. Carrolls (1947). The pair developed a strong, lasting friendship while working on these films.
- GoofsSandra (Barbara Stanwyck) sets her alarm clock for 3:00 a.m. When the clock downstairs starts to chime at 3:00, Sandra comes downstairs fully dressed while clock is still chiming. There was no time to wake up and dress in that short period of time.
It's possible she could have woken before alarm went off and gotten dressed. It's also possible her bedroom clock's time was several minutes ahead of the downstairs clock, or that she never undressed, or maybe even didn't go to sleep.
- Quotes
Mark Caldwell: You know, if I was to bring this battle of the wits down to direct insults, I'd say you were one of the most cold-blooded, scheming women I've ever met in my life!
Sandra Marshall: You've already said that.
- ConnectionsFeatured in Hollywood: The Fabulous Era (1962)
Featured review
Just saw this last night for the first time. Must say that I loved Stanwyck running, leaping, jumping, being thrown by a horse, springing up again only to leap from an eight foot fence to the ground...This was clearly no stunt double. The gal was fleet of foot, and tenacious. She loved playing tough cookies, and that's what she served up here, a tough cookie who was really heroic and unafraid. She, as opposed to Flynn, does all the swashbuckling in this movie, and it's worth seeing just for that reason alone.
And it was suspenseful...I was really quite frightened of what she would find in the lab, in the lodge, in the dumb waiter...what's that about the cold cream??? I was so edgy after she scaled the fence into the lodge compound and got lost, that I had to turn off the volume so as not to hear the scary music. So the score really REALLY adds to the suspense.
I loved Errol Flynn in his early swashbucklers, and I really liked the character turns he took in Too Much Too Soon, and The Sun Also Rises and That Forsythe Woman. But here, he's just uneven..sometimes even blank, and then other times he's okay. Clearly the writers were trying to create a Max de Winter or Edward Rochester-type character ...is he good, or bad, sincere or lying? But the execution of the idea doesn't gel enough to satisfy.
So, the writing's choppy and shallow (especially the last 2 lines of dialogue and resolution), and there's not a TON of chemistry between Flynn and Stanwyck. And yes, the other roles are either over, or under written, so you end up with shadows or stereotypes. But still, I found it fun, and there's no reason why NOT to watch this movie, unless Rebecca or Jane Eyre or Pat & Mike is playing on another channel.
And it was suspenseful...I was really quite frightened of what she would find in the lab, in the lodge, in the dumb waiter...what's that about the cold cream??? I was so edgy after she scaled the fence into the lodge compound and got lost, that I had to turn off the volume so as not to hear the scary music. So the score really REALLY adds to the suspense.
I loved Errol Flynn in his early swashbucklers, and I really liked the character turns he took in Too Much Too Soon, and The Sun Also Rises and That Forsythe Woman. But here, he's just uneven..sometimes even blank, and then other times he's okay. Clearly the writers were trying to create a Max de Winter or Edward Rochester-type character ...is he good, or bad, sincere or lying? But the execution of the idea doesn't gel enough to satisfy.
So, the writing's choppy and shallow (especially the last 2 lines of dialogue and resolution), and there's not a TON of chemistry between Flynn and Stanwyck. And yes, the other roles are either over, or under written, so you end up with shadows or stereotypes. But still, I found it fun, and there's no reason why NOT to watch this movie, unless Rebecca or Jane Eyre or Pat & Mike is playing on another channel.
- niborskaya
- Aug 31, 2006
- Permalink
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Details
Box office
- Budget
- $1,461,000 (estimated)
- Runtime1 hour 23 minutes
- Color
- Aspect ratio
- 1.37 : 1
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