During the early part of his reign, Ivan the Terrible faces betrayal from the aristocracy and even his closest friends as he seeks to unite the Russian people.During the early part of his reign, Ivan the Terrible faces betrayal from the aristocracy and even his closest friends as he seeks to unite the Russian people.During the early part of his reign, Ivan the Terrible faces betrayal from the aristocracy and even his closest friends as he seeks to unite the Russian people.
- Awards
- 2 wins & 1 nomination
Aleksandr Rumnev
- The Stranger
- (as Aleksandr Rumnyov)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaTook over 3 years to make.
- GoofsAfter Anastasia's death, when discussing the Livonian war the "only" son of the Czar is mentioned. However at the time Ivan had two sons, Feodor, who became Czar Feodor I of Russia, and also Tsarevich Ivan Ivanovich.
- Quotes
Czar Ivan IV: Those who tore down the bells without Czar's permission, those by Czar's command get torn down the heads for not too long.
- Crazy creditsAll the credits are showed in front of a fire smoke.
- ConnectionsEdited into Histoire(s) du cinéma: Une histoire seule (1989)
Featured review
Eisenstein's 'Ivan the Terrible' once featured in an American book of the 50 worst films of all times, along with 'Attack of the Killer Tomatoes' and 'Plan 9 from Outer Space'.
But as true cinemaniacs acknowledge, 'Ivan', along with 'Ivan the Terrible Part 2', is one of the great masterpieces of the screen. Its style is highly artificial, the acting operatic with no condescension to realism. But the viewer is swept away by the stylised pacing, the way each scene is so precisely plotted and designed -- each camera shot becomes a precious ornamented jewel. The film is, like the earlier 'Alexander Nevsky', as much a vehicle for the great Russian composer Prokofiev as for Eisenstein -- the two attained a cinematic union of image and music which has been rarely equaled since.
The two 'Image' Region 1 DVDs for Ivan Parts One and Two are spartan affairs, with no added features. The orchestral soundtrack is definitely low-fi. But the print sources must have been excellent -- the black-and-white prints are as lustrous as the finest modern movie, the images sharp and clear. And when the film suddenly switches from black-and-white and erupts in colour, the colour is dense and brilliant, unlike the bleached and pale versions usually doing the art-cinema rounds.
How fantastic to have available such treasures on DVD, in such pristine condition! Buy! Buy! Buy!
But as true cinemaniacs acknowledge, 'Ivan', along with 'Ivan the Terrible Part 2', is one of the great masterpieces of the screen. Its style is highly artificial, the acting operatic with no condescension to realism. But the viewer is swept away by the stylised pacing, the way each scene is so precisely plotted and designed -- each camera shot becomes a precious ornamented jewel. The film is, like the earlier 'Alexander Nevsky', as much a vehicle for the great Russian composer Prokofiev as for Eisenstein -- the two attained a cinematic union of image and music which has been rarely equaled since.
The two 'Image' Region 1 DVDs for Ivan Parts One and Two are spartan affairs, with no added features. The orchestral soundtrack is definitely low-fi. But the print sources must have been excellent -- the black-and-white prints are as lustrous as the finest modern movie, the images sharp and clear. And when the film suddenly switches from black-and-white and erupts in colour, the colour is dense and brilliant, unlike the bleached and pale versions usually doing the art-cinema rounds.
How fantastic to have available such treasures on DVD, in such pristine condition! Buy! Buy! Buy!
Details
Box office
- Gross worldwide
- $12,196
- Runtime1 hour 43 minutes
- Color
- Sound mix
- Aspect ratio
- 1.37 : 1
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