A recounting of Domino Harvey's life story. The daughter of actor Laurence Harvey turned away from her career as a Ford model to become a bounty hunter.A recounting of Domino Harvey's life story. The daughter of actor Laurence Harvey turned away from her career as a Ford model to become a bounty hunter.A recounting of Domino Harvey's life story. The daughter of actor Laurence Harvey turned away from her career as a Ford model to become a bounty hunter.
- Awards
- 2 wins
Edgar Ramírez
- Choco
- (as Edgar Ramirez)
Rizz Abbasi
- Alf
- (as Rizwan Abbasi)
Joe Nunez
- Raul Chavez
- (as Joseph Nunez)
Storyline
Did you know
- TriviaTony Scott claimed that the frenetic filming and editing style of the picture is reflective of the high usage of cocaine amongst real bounty hunters he consulted while researching the film.
- GoofsWhen Domino and her dad are at the beach in England in 1993 (really filmed at Santa Monica Pier, Los Angeles), stuffed animals prizes from Đi Tìm Nemo (2003) are at the carnival game.
- Quotes
Domino Harvey: If you're wondering what's true and what isn't, fuck off, because it's none of your goddamn business!
- Crazy creditsThe credits for the principal cast are shown by first name only in the closing credits, ending with the real Domino Harvey, followed by an "In Loving Memory" title card for Domino.
- ConnectionsFeatured in Bounty Hunting on Acid: Tony Scott's Visual Style (2006)
- SoundtracksAm I Really That Bad
Written by Domino Harvey, Jan Pomerans and Solomon Mansoor
Performed by Domino Harvey (as Domino) and the Dagger Baileys
Featured review
If you go to this movie expecting something it isn't, you will be disappointed, as with any movie. This movie contains what Hemmingway described as the "iceberg effect". On the surface, its simply a cache of random movie clips smashed together to make a movie. If this would be written in a book, it would be a short story, because the action in the movie is very fast paced, and unless you actually try to catch it, the reasoning behind the plot (along with some subtle foreshadowing) can very well pass you by. Definitely a movie you will have to see twice in order to fully appreciate. Experimental Cinematography barely describes this movie. The camera-work and post production add much to the overall flavour of the film, making it quite artistic at some points and open to interpretation at others (something to be desired in American movies as of late). Although, at some parts it may get a little raunchy, gruesome and too heavy for some audiences, the movie never becomes completely unrealistic. The only aspect of the movie that I would write off as "needs improvement" is the soundtrack selection. No movie is ever good without a fitting soundtrack, and although the soundtrack is quite fitting, the opening is a little too long, and the other rap songs in the film really could have been replaced with something more appropriate (heavy, grungy rock or psychedelic electronica would have made this film a real trip). The flooding of imagery and dynamic... color palettes adds another "artistic" aspect to it, also combined with the events that happen throughout the film, this is not a movie you can miss any part of and still understand. However, that also makes it much more of a desirable film to watch, and not one you'll quickly get bored of. 8.5/10
- hinata-soul
- Oct 14, 2005
- Permalink
Details
Box office
- Budget
- $50,000,000 (estimated)
- Gross US & Canada
- $10,169,202
- Opening weekend US & Canada
- $4,675,000
- Oct 16, 2005
- Gross worldwide
- $22,984,628
- Runtime2 hours 7 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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